Clip from the 1979 film The Warriors in which Snow (Brian Tyler), Ajax (James Remar), Cowboy (Tom McKitterick), and Swan (Michael Beck) are being chased by and confront the Baseball Furies in. Sam Worthington Actor Avatar. Samuel Henry John Worthington was born August 2, 1976 in Surrey, England. His parents, Jeanne (Martyn) and Ronald Worthington, a power plant employee, moved the family to Australia when he was six months old, and raised him and his sister Lucinda in Warnbro, a suburb of Perth, Western Australia.
Two brothers face the fight of a lifetime - and the wreckage of their broken family - within the brutal, high-stakes world of Mixed Martial Arts (MMA) fighting in Lionsgate's action/drama, WARRIOR. A former Marine, haunted by a tragic past, Tommy Riordan returns to his hometown of Pittsburgh and enlists his father, a recovered alcoholic and his former coach, to train him for an MMA tournament awarding the biggest purse in the history of the sport. As Tommy blazes a violent path towards the title prize, his brother, Brendan, a former MMA fighter unable to make ends meet as a public school teacher, returns to the amateur ring to provide for his family. Even though years have passed, recriminations and past betrayals keep Brendan bitterly estranged from both Tommy and his father.
But when Brendan's unlikely rise as an underdog sets him on a collision course with Tommy, the two brothers must finally confront the forces that tore them apart, all the while waging the most intense.
'The Princess and the Warrior' moves at a leisurely pace, nowadays commonly mistaken for slow or plodding. It is the pacing antithesis of 'Run Lola Run', yet in remarkable ways, covers the same thematic ground. Tykwer takes Krzysztof Kieslowski's favorite themes (fate, chance, destiny) and tells one of the most uplifting existentialist tales I've ever seen on film. Poetic in its visceral impacts, heartbreaking in its emotional force, 'The Princess and the Warrior' achieves an astonishing level of humanity which very few films ever strive to attain. As a result, 'The Princess and the Warrior' becomes the jewel in the crown of Tykwer's filmic repertoire. With Franka Potente as the emotionally-reserved Sissi and Benno Furmann as the jaded Bodo, Tykwer has created two opposites who are fated to attract.
Unlike Hollywood, however, there are no magical forces at work, no clever 'Meet Cute'. It is very conceivable that these two could have never met, and only due to Bodo's criminal actions do they meet. Is it fate or coincidence that Bodo's run in with the law causes a run in with Sissi?
Their interactions are quiet with bursts of trauma, their eyes do most of the talking. Tykwer seems to suggest that Bodo and Sissi's entire existence is to affirm each other's life. Tykwer has crafted a psychological exploration of two misguided souls looking for an escape from their lives. Stuck in perpetual repetition, Sissi and Bodo live without living, searching for some meaning but incapable of doing so or, even more sorrowful, rejecting whatever is presented to them. This is not a 'Pretty Woman' clone but an honestly reaffirming look at two unhappy individuals finding what they so desperately need in each other. Bodo and Sissi's relationship of awkward meetings, misconceptions, and soul-binding metaphysical connections culminates in what I can only describe as one of the most impactful and emotional climaxes in all of film history-period.
Kudos to Tykwer for creating one of the most romantic and spiritually-fulfilling films I've ever seen. A perfect and necessary viewing experience for anyone feeling stuck in the mundane routine of life, thrilling, suspenseful, almost painfully aware of what it feels like to be emotionally and spiritually lost. 'The Princess and the Warrior' upholds the optimistic idea that even when things go bad, life is still worth living, if only to help someone else. It is, in my opinion, one of the finest motion pictures ever made.